“I think she only means to be cheerful,” explained Mrs. Phillips. “She’s quite a good sort, when you know her.” The subject seemed in some way to trouble her, and Joan dropped it. It seemed to her that it was she that they were laughing at, pointing her out to one another, jeering at her, reviling her, threatening her.!

“I’m willing enough,” answered Flossie. “But what about Old Mother Nature? She’s going to be in this, you know.” “A baby,” she said. “Oh, it was my own fault,” she continued. “I wanted it. It was all the talk at the time. You don’t remember. Our right to children. No woman complete without one. Maternity, woman’s kingdom. All that sort of thing. As if the storks brought them. Don’t suppose it made any real difference; but it just helped me to pretend that it was something pretty and high-class. ‘Overmastering passion’ used to be the explanation, before that. I guess it’s all much of a muchness: just natural instinct.”

“I thought you were something,” answered the girl. “I’m an artist. Or, rather, was,” she added after a pause. “You see, dear, I began when I was young,” she explained; “and he has always seen me the same. I don’t think I could live like this.” The village consisted of one long straggling street, following the course of a small stream between two lines of hills. It was on one of the great lines of communication: and troops and war material passed through it, going and coming, in almost endless procession. It served also as a camp of rest. Companies from the trenches would arrive there, generally towards the evening, weary, listless, dull-eyed, many of them staggering like over-driven cattle beneath their mass of burdens. They would fling their accoutrements from them and stand in silent groups till the sergeants and corporals returned to lead them to the barns and out-houses that had been assigned to them, the houses still habitable being mostly reserved for the officers. Like those of most French villages, they were drab, plaster-covered buildings without gardens; but some of them were covered with vines, hiding their ugliness; and the village as a whole, with its groups, here and there, of fine sycamore trees and its great stone fountain in the centre, was picturesque enough. It had twice changed hands, and a part of it was in ruins. From one or two of the more solidly built houses merely the front had fallen, leaving the rooms just as they had always been: the furniture in its accustomed place, the pictures on the walls. They suggested doll’s houses standing open. One wondered when the giant child would come along and close them up. The iron spire of the little church had been hit twice. It stood above the village, twisted into the form of a note of interrogation. In the churchyard many of the graves had been ripped open. Bones and skulls lay scattered about among the shattered tombstones. But, save for a couple of holes in the roof, the body was still intact, and every afternoon a faint, timid-sounding bell called a few villagers and a sprinkling of soldiers to Mass. Most of the inhabitants had fled, but the farmers and shopkeepers had remained. At intervals, the German batteries, searching round with apparent aimlessness, would drop a score or so of shells about the neighbourhood; but the peasant, with an indifference that was almost animal, would still follow his ox-drawn plough; the old, bent crone, muttering curses, still ply the hoe. The proprietors of the tiny épiceries must have been rapidly making their fortunes, considering the prices that they charged the unfortunate poilu, dreaming of some small luxury out of his five sous a day. But as one of them, a stout, smiling lady, explained to Joan, with a gesture: “It is not often that one has a war.”